It absolutely doesnt offer a £200 gain. At all. At all.Youre going to kneel down to compose that shot, youll kneel down to visualise it, youll kneel down to level the tripod and youll kneel down to put the camera on the tripod after doing so.
Good points again! It was a pain trying to stop the glare on a fixed screen however, but can't imagine it being horrific all the time.
Though the 600d that Stu linked comes with a lens that's worth a lot more and will offer more versatility right away, even cheaper than getting a 550d body and the same lens, and then the flip screen is included?
Shit man you must be shooting in like pitch black. Id suggest the best way to deal with this is either shoot somewhere brighter and more exciting, or be more creative and shoot a snarlin cool underexposed section consisting of slomo shots of riders bursting through patches of sunlight
Well not really, I'm just pointing out that on an overcast day after like 3pm, the light isn't great in the woods..
Shit man you must be shooting in like pitch black. Id suggest the best way to deal with this is either shoot somewhere brighter and more exciting, or be more creative and shoot a snarlin cool underexposed section consisting of slomo shots of riders bursting through patches of sunlight
Well not really, I'm just pointing out that on an overcast day after like 3pm, the light isn't great in the woods..
Shit man you must be shooting in like pitch black. Id suggest the best way to deal with this is either shoot somewhere brighter and more exciting, or be more creative and shoot a snarlin cool underexposed section consisting of slomo shots of riders bursting through patches of sunlight
Well not really, I'm just pointing out that on an ANY day after like 11AM, the light isn't great ANYWHERE..