www.frictionmultimedia.com

We used a really interesting technique whilst shooting these photos. To create the bright white drawn out lines of light from Chris we needed a long exposure, but if we only used long exposure we wouldn’t be able to see Chris at all as he also, would be a long blur. To overcome this problem we used a hand held, hand fired flash, along with 3 or 4 extra remote fired flashes to illuminate the surroundings. Fin pressed the shutter whilst Chris dropped in, then, at the perfect moment, Jack would have to fire the hand held flash to capture Chris whilst he was in the air or railing the corner, it meant a lot team work and hard work went into getting each shot absolutely perfect. Especially when our fingers were frozen to the kit and our jaws were chattering louder than an 1800′s railway line.
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www.frictionmultimedia.com We used a really interesting technique whilst shooting these photos. To create the bright white drawn out lines of light from Chris we needed a long exposure, but if we only used long exposure we wouldn’t be able to see Chris at all as he also, would be a long blur. To overcome this problem we used a hand held, hand fired flash, along with 3 or 4 extra remote fired flashes to illuminate the surroundings. Fin pressed the shutter whilst Chris dropped in, then, at the perfect moment, Jack would have to fire the hand held flash to capture Chris whilst he was in the air or railing the corner, it meant a lot team work and hard work went into getting each shot absolutely perfect. Especially when our fingers were frozen to the kit and our jaws were chattering louder than an 1800′s railway line.
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